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Tuesday, July 27, 2010

WORTH A LISTEN - The Black Keys - Everlasting Light

A sexy ass mid-album track (off Brothers) from the Black Keys, a.k.a. the only blues that people like myself ever need.

Sunday, July 25, 2010

QUICK RIFFS: Band of Horses - Infinite Arms


The echoing Band of Horses sound doesn't sound quite as gripping as before. But, alas, that's okay. It's the noticeable dropoff in songwriting that drags this album down a notch from previous efforts.

Band of Horses has never been about brilliant songwriting ("When I lived alone/Is there a ghost in my house?"). But there are some definite duds on Infinite Arms: "I had a dream that I was your neighbor about to give birth/And then everything was really hurt" ("Infinite Arms"), "I thought about you and a candy bar/The Now and Laters now that I've got stuck between my teeth" ("Factory"), "I put a bullet in my Kia Lorenzo/A kitchen knife up to my face" ("Laredo").

"Laredo" is still a really quality song, and the album could have used more of it.

Friday, July 23, 2010

THE BREAKDOWN (FT. DJ SUB PAR): Janelle Monae - Archandroid


DJ Responsible Says: 
Seriously, Bad Boy Records? Puff Daddy found this chick? I guess the man has an eye for talent, which he manages to separate a decade or two apart (Notorious B.I.G., Janelle Monae). 

I love the idea of this album: the most memorable and awesome cover art in years meets the madness of the songs themselves--orchestral interludes, jazzy ballads, psychedelia, hip hop, Of Montreal, cut and dry Rhythm & Blues. This album is America's melting pot in the year 2200.


I found new favorites on every listen, transitioning from obvious favorites like "Cold War" to the down-tempo tractor beam of "Sir Greendown" and Monae channeling her inner Willy Wonka/Pigeon John on "Wondaland." For any band or artist releasing a debut album this year, good luck toppling this epic.


DJ Sub Par says:
"Epic" is right. this album flips though genres like it is shuffling cards. What makes it remarkable is how the album doesn't sacrifice flow while indulging a restless creativity. Songs unfold seamlessly from the last, making each progression feel natural rather than audio whiplash.


This is the second album this year that I can confidently say to anyone I know, "go listen to this from tip to tail." The first was Big Boi's efforts that came out only weeks ago. That half-of-Outkast actually produced this album and contributes a few verses on the single Tightrope. Someone is having a good year...

Essential Tracks:





Wednesday, July 21, 2010

QUICK RIFFS: Sharon Jones & the Dap Kings - I Learned the Hard Way


I saw Sharon Jones open for, let's just say, the top touring act of the decade, and I was instantly impressed by her timelessness. Or, more specifically, her perfectly conceived throwback sound: the all-black dress, the high heel strut, the wailing, soulful vocals over sturdy bass grooves.

I Learned the Hard Way is even more of a time machine. Unlike Amy Winehouse, who adds a little 21st century subject matter and production flair to her retro homages, Sharon Jones is entirely old school. The result is a fresh batch of beautiful old soul.

Essential Tracks:



Monday, July 19, 2010

THEY STILL MAKE MUSIC VIDEOS: Black Keys - Tighten Up

Playground love meets playground angst, multi-generational-style.

Saturday, July 17, 2010

WORTH A LISTEN: The Books - All You Need is a Wall

Beautiful and haunting ballad from The Books' new The Way Out.

Thursday, July 15, 2010

THE BREAKDOWN (FT. DJ SUB PAR): Big Boi - Sir Luscious Left Foot


DJ Responsible Says:

Let's just get this out of the way: "Shine Blockas" is an amazing song (Pitchfork nailed that one on their 'best of' last year). It stands out like the last M&M in a bowl full of trail mix.

But there's a lot of other good stuff on Sir Luscious. And there's a lot of questionable stuff. It's just one of those dense, throw enough ingredients into the soup kind of albums.

For whatever reason, rap albums get a free pass in this regard. If any indie band outside Yo La Tengo released an album with unnecessary tracks like "You Ain't No DJ" or obnoxious interludes like the David Blaine segment, they'd be taken down a peg. But not Big Boi. He manages to remain on the pedestal, largely because 85% of his work is somewhere between good and stellar.

Sir Luscious is only a great hip hop album in relation to the rest of the drivel out there. And it could use a final edit. But why can't more rap music be this adventurous and fun?

DJ Sub Par Says:

Lets keep this simple. Go listen to this album. It might be the best album you hear this year. It is sonically daring. Here is a classical guitar. Here is KRS-ONE reference. Is that Opera? In addition to Shine Blockas listen to "Shutterbug," 'Tangerine," and "Daddy Fat Sax" (Be warned that Big Boi is an enthusiastic fan of sex.) Also don't miss the tracks exiled from the album by legal troubles, the Andre 3000 assisted "Lookin' for Ya" and "Royal Flush."

Essential Tracks: